{"id":23188,"date":"2023-04-24T00:59:46","date_gmt":"2023-04-23T22:59:46","guid":{"rendered":"https:\/\/www.stevevai.it\/site\/?page_id=23188"},"modified":"2023-05-25T11:25:34","modified_gmt":"2023-05-25T09:25:34","slug":"vaitunes","status":"publish","type":"page","link":"https:\/\/www.stevevai.it\/site\/steve-vai-discografia\/vaitunes\/","title":{"rendered":"VaiTunes"},"content":{"rendered":"\t\t
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vaitunes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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steve vai<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Non \u00e8 raro che un musicista registri pi\u00f9 lavori di quelli che pubblica. Nel mio caso, ho un oceano digitale di frammenti in vari gradi di completamento. Alcuni sono avanzi di sessioni di registrazione di progetti assortiti, progetti che non sono mai stati completati, jam di sound check, frammenti di demo, ecc.<\/p>

Ci sono abbastanza note solitarie inedite nel mio mondo da riempire uno “scaffale infinito”. I VaiTunes sono brani estratti da questo abisso melodico, spazzati via, a volte severamente eliminati e pubblicati come singoli digitali.<\/p>

Queste tracce possono essere specifiche di un particolare progetto che non ha mai avuto la possibilit\u00e0 di essere un quadro completo completo, ma ora, con l’avvento di tutta questa tecnologia digitale e distribuzione, \u00e8 possibile pubblicare una variet\u00e0 di tracce da un potenziale progetto senza dover per completare l’intero progetto stesso. Alla fine, se ci sono abbastanza brani completati che rientrano in uno sforzo preciso, forse verranno compilati e pubblicati come un CD. In ogni caso, \u00e8 un buon modo per pubblicare un flusso costante di musica.<\/p>

Sebbene il piano sia quello di continuare a creare versioni CD intere e corpose, VaiTunes pu\u00f2 servire come pacificatori temporanei per alcune deliziose melodie da risucchiare attraverso le orecchie e assorbire nell’anima.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWithout me<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe moon and I<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tUnderground garden<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe burning bush<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\n\t\t\t\tThe burning bush\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Bodhi tree<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\n\t\t\t\tThe Bodhi tree\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCupid and his lasers<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

vaitunes steve vai Non \u00e8 raro che un musicista registri pi\u00f9 lavori di quelli che pubblica. Nel mio caso, ho un oceano digitale di frammenti in vari gradi di completamento. Alcuni sono avanzi di sessioni di registrazione di progetti assortiti, progetti che non sono mai stati completati, jam di sound check, frammenti di demo, ecc. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":22567,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-23188","page","type-page","status-publish","hentry"],"yoast_head":"\nVaiTunes - SteveVai.it<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.stevevai.it\/site\/steve-vai-discografia\/vaitunes\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VaiTunes - SteveVai.it\" \/>\n<meta property=\"og:description\" content=\"vaitunes steve vai Non \u00e8 raro che un musicista registri pi\u00f9 lavori di quelli che pubblica. Nel mio caso, ho un oceano digitale di frammenti in vari gradi di completamento. Alcuni sono avanzi di sessioni di registrazione di progetti assortiti, progetti che non sono mai stati completati, jam di sound check, frammenti di demo, ecc. 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